Janet McGuinness

 

 

 

BIOGRAPHY
Born in Co. Dublin, Ireland
1996-2000            School of Art, Design and Printing. Co. Dublin
RESIDENCIES
2009                       Ciall Rialaig, Co. Kerry, Ireland
2005                       Ciall Rialaig, Co. Kerry, Ireland
GROUP EXHIBITIONS
2007                       Blue Umbrella Gallery, Co. Kerry, Ireland
                                Art Ireland Spring Show, Royal Dublin Society, Co.
2006                       Ciall Rialaig Galllery ,Co. Kerry, Ireland
                                Art Ireland Winter Show, Royal Dublin Society, Co
                                Art Ireland Spring Show, Royal Dublin Society, Co.
                                South of Soho Gallery, Florida, USA
2005                       Habitat Co. Dublin, Ireland
2000                       South of Soho Gallery, Florida, USA
                                School of Art, Design and Printing, Co. Dublin, Ireland
1998                       Temple Bar Gallery, Co. Dublin, Ireland
1997                       Temple Bar Gallery, Co. Dublin, Ireland
1996                       Collaborative Piece,RHA Gallery, Co. Dublin, Ireland
                                The Ormond Gallery, Co. Dublin, Ireland
COLLECTIONS
                                Department of Defence, Co. Dublin, Ireland
                                Private collections USA and Ireland
                                               
 
 

 

I use acrylic paints, often diluted with water, to create abstract images that suggest elements of the environment.

Colour is the defining characteristic of my work. It provides a starting point for every painting that I create. Whenever I go to a new place I'm always aware of itspalette and I incorporate it into my work. Thus, some of my paintings are created from the palette of a single place while others might combine elements from very different parts of the world, including the wild, west coast of Ireland, the red centre of Australia, or the sun-soaked Mexican Caribbean.

The interwoven threads of exotic textiles also inspire me, and this is reflected in the way I apply paint. My approach of layering liquid “threads” of colour one over another until the canvas 'holds hands' is similar to weaving.

In my work I explore the relationship between the free flowing quality of paint and the tension of a loose grid. A free handed grid contrasted with sharp lines provides both structure and a thoughtful, handmade quality while still enabling me to celebrate the natural properties of liquid paint. This, and other interests such as colour palettes, line and depth are all recurring themes in the work.

By being attentive to the basic properties of the paint such as it’s translucent nature, the way it spills, pools, and flows I pay tribute to centered observation and the beauty of the ordinary.